Showing posts with label Abstract Thinking. Show all posts
Showing posts with label Abstract Thinking. Show all posts

Friday, October 03, 2008

Concrete and Abstract Thinking

The maxim enjoined upon teachers, "to proceed from the concrete to the abstract," is perhaps familiar rather than comprehended. Few who read and hear it gain a clear conception of the starting-point, the concrete; of the nature of the goal, the abstract; and of the exact nature of the path to be traversed in going from one to the other. At times the injunction is positively misunderstood, being taken to mean that education should advance from things to thought as if any dealing with things in which thinking is not involved could possibly be educative. So understood, the maxim encourages mechanical routine or sensuous excitation at one end of the educational scale the lower-and academic and unapplied learning at the upper end.

Actually, all dealing with things, even the child's, is immersed in inferences; things are clothed by the suggestions they arouse, and are significant as challenges to interpretation or as evidences to substantiate a belief. Nothing could be more unnatural than instruction in things without thought; in sense-perceptions without judgments based upon them. And if the abstract to which we are to proceed denotes thought apart from things, the goal recommended is formal and empty, for effective thought always refers, more or less directly, to things.

Yet the maxim has a meaning which, understood and supplemented, states the line of development of logical capacity. What is this signification? Concrete denotes a meaning definitely marked off from other meanings so that it is readily apprehended by itself. When we hear the words, table, chair, stove, coat, we do not have to reflect in order to grasp what is meant. The terms convey meaning so directly that no effort at translating is needed. The meanings of some terms and things, however, are grasped only by first calling to mind more familiar things and then tracing out connections between them and what we do not understand. Roughly speaking, the former kind of meanings is concrete; the latter abstract.

To one who is thoroughly at home in physics and chemistry, the notions of atom and molecule are fairly concrete. They are constantly used without involving any labor of thought in apprehending what they mean. But the layman and the beginner in science have first to remind themselves of things with which they already are well acquainted, and go through a process of slow translation; the terms atom and molecule losing, moreover, their hard-won meaning only too easily if familiar things, and the line of transition from them to the strange, drop out of mind. The same difference is illustrated by any technical terms: coefficient and exponent in algebra, triangle and square in their geometric as distinct from their popular meanings; capital and value as used in political economy, and so on.

The difference as noted is purely relative to the intellectual progress of an individual; what is abstract at one period of growth is concrete at another; or even the contrary, as one finds that things supposed to be thoroughly familiar involve strange factors and unsolved problems. There is, nevertheless, a general line of cleavage which, deciding upon the whole what things fall within the limits of familiar acquaintance and what without, marks off the concrete and the abstract in a more permanent way. These limits are fired mainly by the demands of practical life. Things such as sticks and stones, meat and potatoes, houses and trees, are such constant features of the environment of which we have to take account in order to live, that their important meanings are soon learnt, and indissolubly associated with objects. We are acquainted with a thing (or it is familiar to us) when we have so much to do with it that its strange and unexpected corners are rubbed off. The necessities of social intercourse convey to adults a like concreteness upon such terms as taxes, elections, wages, the law, and so on. Things the meaning of which I personally do not take in directly, appliances of cook, carpenter, or weaver, for example, are nevertheless unhesitatingly classed as concrete, since they are so directly connected with our common social life.

By contrast, the abstract is the theoretical, or that not intimately associated with practical concerns. The abstract thinker (the man of pure science as he is sometimes called) deliberately abstracts from application in life; that is, he leaves practical uses out of account. This, however, is a merely negative statement. What remains when connections with use and application are excluded? Evidently only what has to do with knowing considered as an end in itself. Many notions of science are abstract, not only because they cannot be understood without a long apprenticeship in the science (which is equally true of technical matters in the arts), but also because the whole content of their meaning has been framed for the sole purpose of facilitating further knowledge, inquiry, and speculation. When thinking is used as a means to some end, good, or value beyond itself, it is concrete; when it is employed simply as a means to more thinking, it is abstract. To a theorist an idea is adequate and self-contained just because it engages and rewards thought; to a medical practitioner, an engineer, an artist, a merchant, a politician, it is complete only when employed in the furthering of some interest in life health, wealth, beauty, goodness, success, or what you will.

For the great majority of men under ordinary circumstances, the practical exigencies of life are almost, if not quite, coercive. Their main business is the proper conduct of their affairs. Whatever is of significance only as affording scope for thinking is pallid and remote almost artificial. Hence the contempt felt by the practical and successful executive for the "mere theorist"; hence his conviction that certain things may be all very well in theory, but that they will not do in practice; in general, the depreciatory way in which he uses the terms abstract, theoretical, and intellectual-as distinct from intelligent.

This attitude is justified, of course, under certain conditions. But depreciation of theory does not contain the whole truth, as common or practical sense recognizes. There is such a thing, even from the commonsense standpoint, as being "too practical," as being so intent upon the immediately practical as not to see beyond the end of one's nose or as to cut off the limb upon which one is sitting. The question is one of limits, of degrees and adjustments, rather than one of absolute separation. Truly practical men give their minds free play about a subject without asking too closely at every point for the advantage to be gained; exclusive preoccupation with matters of use and application so narrows the horizon as in the long run to defeat itself. It does not pay to tether one's thoughts to the post of use with too short a rope. Power in action requires some largeness and imaginativeness of vision. Men must at least have enough interest in thinking for the sake of thinking to escape the limits of routine and custom. Interest in knowledge for the sake of knowledge, in thinking for the sake of the free play of thought, is necessary then to the emancipation of practical life-to make it rich and progressive.

Wednesday, October 01, 2008

Creativity

Creativity is one of the most coveted traits among humans. While certain experts and philosophers agree that creative faculties are something that all of us are naturally born with, cultivating and making these characteristics grow and flourish into something that would give us the greatest benefits and value possible requires some amount of learning, effort and skill.


It is, therefore, for this reason that many people read up constantly on literature about how to boost their creativity, or awaken their 'sleeping' creative traits, or why others choose to enrol themselves in creativity molding classes and other courses that aim to boost inspiration. Creativity precedes the success of many goals achieved that people are not afraid to chase after it, even if they face some difficulty.

Here are some creativity quotes that have worked for many of us. People have attested to feeling better motivated and fired up after reading or hearing what others had to say about the subject.

J.S. Brown: "Instead of pouring knowledge into people's heads, we need to help them grind a new set of eyeglasses so that we can see the world in a new way."

Arthur C Clarke: "Someone once said that for every problem, there is a solution that is simple, attractive… and wrong."

Albert Einstein: "Problems cannot be solved by thinking within the framework in which the problems were created."

Leonardo da Vinci: "Go some distance away because the work appears similar and more of it can be taken in at a glance, and a lack of harmony of proportion is rapidly seen."

Anonymous: "Exhilaration is that feeling you get just after a great idea hits you and just before you realise what's wrong with it."

Mae West: "When choosing between two evils, I always like to try the one I've never tried before."

George Bernard Shaw: "You see things: you say 'Why?' But I dream things that never are: and say 'Why not?'"

Chinese proverb: "When a finger points to the moon the imbecile looks at the finger."

Chinese philosopher, Lao Tzu: "As soon as you have made a thought, laugh at it."

Carl Jung: "Everything that irritates us about others can lead us to an understanding of ourselves."

Doris Lessing: "Think wrongly, if you please, but in all cases think for yourself."

Henri-Frederic Amiel: "Analysis kills spontaneity. The grain once ground into flour, springs and germinates no more."

Niels Bohr: "There are some things that are so serious you have to laugh at them."

Franklin P Jones: "Honest criticism is hard to take, particularly from a relative, a friend, an acquaintance, or a stranger."

Japanese proverb: "None of us are as smart as all of us."

T.S. Eliot "Between the idea and the reality falls the shadow."

Mark Twain: "Life does not consist mainly, or even largely, of facts and happenings. It consists mainly of the storm of thoughts that is forever blowing through one's head."

E.M. Forster: "Think before your speak is criticism's motto; speak before you think, creation's"

Albert Einstein: "Curiosity has its own reason for existing."

Walt Disney: "If you can dream it, you can do it."

Henry David Thoreau: "If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them."